Shin-Shinto Tanto (fss-808)

Shin-Shinto Tanto (fss-808)

Shin-Shinto Tanto (fss-808) New Item Available Sold On Hold Special Sale Item description: This is a shin shinto tanto in mounts.  The overall condition is good.  This blade is more than likely from the 1800’s and the work on it is clearly visible.  The hamon is in gunome style and looks attractive.  The hada is itame and clear.  These tanto were functional and the mounts are a mixture of brass and copper often called castle mounts.  Overall a good reasonably priced tanto for a new collector that is in very good shape. The fittings are all matching, there are kodzuka and kogai, and the blue tsuka-ito string wrap is slightly frayed at one area. The sageo is a very nice fancy blue and white combination and the saya is finished in black lacquer with some raised floral design. The habaki and seppa are of copper. Mei: Mumei Date: Late Edo (1800’s) Nagasa: 11-3/4 inches Sori: 3.0 mm Width at the ha-machi: 27.8 mm Thickness at the mune-machi: 7.8 mm Construction: Hira zukuri Mune: Iori Nakago: Ubu Kitae: Itame Hamon: Midare Gunome Boshi: Maru Condition: Good polish Click to Enlarge Image Click to Enlarge Image This sword is on consignment. Special Sale Price Sold On Hold Asking price: $1,800.00 (shipping and insurance included) Email us if your interested in this item and remember to include the order number for this item: fss-808. NihontoAntiques@comcast.net How To Order Information Subscribe for the Latest Updates!Join our mailing list to receive the latest News & Updates from Nihonto Antiques. SUBSCRIBE You have Successfully Subscribed! Your email address will be kept private & will only be used to send updates from this site! For Sale Bizen Sukesada (fss-809) Shin-Shinto Tanto (fss-808)...
Sagami Kaneyasu (fss-796)

Sagami Kaneyasu (fss-796)

Sagami Kaneyasu (fss-796) New Item Available Sold On Hold Special Sale This is a very interesting katana in the Shinto Mino tradition and of the Kanbun Shinto era. It is in a very good polish. The overall sugata of this sword is impressive and the hamon is loaded with activity. The hamon contains plentiful nie in sugu-ha with a slight hint of notare-ba. The hada has an oily appearance and forged very well with some areas of O- hada mixed in. This blade comes with koshirae. The sword furniture is made up of a Carp or Koi motiff and in good condition. The fuchi /  kashira are of waves with Carp or Koi menuki. A complete package of a papered and mounted sword in good polish. FUJISHIRO HAS THIS TO SAY ABOUT THIS PARTICULAR SMITH: KANEYASU SAGAMI NO KAMI [KANBUN 1661 MINO] SHINTÔ CHÛSAKU He has the Gô of Gotôhichirô, and he entered the Mon of Ômura Kaboku. (Wazamono) Signatures:            SAGAMI NO KAMI KANEYASU NÔSHÛ SEKI GEN’ICHI KANEYASU The Koi Fish The legend says the Chinese then raised the koi in their rice patty fields to be used for food, especially during the long winter months, and not for pets. The Chinese then passed on their knowledge of raising koi to the Japanese. Raising koi in ponds began in Niigata, Japan during one particularly harsh winter. Niigata Koi During this very harsh winter, Japanese farmers in Niigata could not fish and could not sustain any crops. As a result, the farmers began building ponds in which to raise koi in order to feed their families. During this time, many farmers began noticing different...
Beautiful Daisho (fss-792)

Beautiful Daisho (fss-792)

Beautiful Daisho (fss-792) New Item Available Sold On Hold Special Sale A True Samurai Daisho, These swords are mounted in an Oxen theme of very nice quality. The Motif is of oxen and are in pristine condition finished in shakudo, gold and copper with a fine nanako. The kodzuka is of oxen also with gold back finish. The saya are black with a brown sageo. The tsuba are nanban style but not your ordinary type. This daisho set are thick with a rounded rim that sings when tapped gently. There are dragons and a hidden Christian theme of crucifix’. The menuki appear to be Sakura of gold and shakudo finish. The ito is black and the same (rayskin have a beautiful patina). The habaki are an original matching silver foil with quite a patina finished in a rain storm pattern, just splendid. The katana is ubu, and loaded with activity. Within the Sugu-ha, gunome can be seen, there is hotsure, sunagahi and kinsugi. The hada is a dense and beautiful itame and mokume mix with some masame. It is signed katsumitsu and the signature looks good. The wakazashi an O-suriage piece, this sword has a hamon based in sugu-ha. The hada appears to be an itame nagare with ji-nie. The blades are both from the koto period. The wearing of daishō was limited to the samurai class, and became a symbol or badge of their rank. Daishō may have became popular around the end of the Muromachi(1336 to 1573)as several early examples date from the late sixteenth century an edict in 1629 defining the duties of a samurai required the wearing of a daishō when on official duty....
Echizen Kanenori (fss-713)

Echizen Kanenori (fss-713)

Echizen Kanenori (fss-713)   New Item   Available   Sold On Hold Special Sale   This stunning Echizen blade from the Shinto era comes in koshirai and is in a fine Japanese polish. The work on this sword is very elegant and exciting at the same time. In the hamon you can see tsunagashi and kinsuji with a well defined habuchi with some ko-nie to frost the top and in the valleys are much Nie to be seen.. The hada is well forged and in great shape for such beauty of a blade with some masame running here and there entwined with itame and mokume. Ji-nie appears. The style is that of shinogi-zukuri with double bohi carved. The tang is signed: Chikugo no Kami Fujiwara Kanenori Echizen-jû -on the reverse 2nd generation Echizen Kanenori (包則) From the later Muromachi period onwards, Mino province saw a steady outflow of swordsmith, a trend that saw its peak in the Momoyama and early Edo period. Reason was for the most part the then significant demand for swords and thus local daimyô began to recruit famous masters to work for them on their lands. Mino bldes, or Seki blades in particular, were regarded as being durable and sharp and so a downright wave of migration of Mino/Seki swordsmiths can be seen, especially in the neighboring provinces of Owari and Echizen. As for Echizen, the province also gave a new home to many formerly Ômi-based Shimosaka smiths, thus we use classifications like “Echizen-Seki” (越前関) and “Echizen-Shimosaka” (越前下坂) to refer to these two different currents. The “trend-setters” of the Echizen-Seki group were first and foremost...
Katsutoshi Tanto (fss-650)

Katsutoshi Tanto (fss-650)

Katsutoshi Tanto (fss-650) New Item Sold On Hold Special Sale This is a fine quality tanto signed and dated from the shin-shinto era. The signature reads Katsutoshi and is dated in the Meiji era. This smith is listed in Hawley’s and in his longer signature signed “Echigo Wakida Yoshiteru and Ryuunsai (Wakida) Katsutoshi. He is from Echigo and is a very good smith. Tanto from him are not easily found and this tanto is especially very well made and has a beautiful clear jigane. the hada is a swirling mokume in itame. It is well forged and has no flaws. The hamon is incredibely attractive of gunome-midare with much to see within. Many quality hataraki/activity can be seen in this blade. Tanto like these that were made during the shinshinto era and brought to war are few. After the wakazashi came to existence during the Edo era tanto production diminished greatly. During the shin-shinto era tanto began to be made again. Swordsmiths took pride in producing these quality blades to honor the blades of old. This blade is in a good older polish but would greatly benefit with a new polish. The blade interestingly was mounted for WWII. Tanto mounted in military garb such as this are extremely rare and well sought after by the WWII Japanese sword collector. it may have been a pilots tanto, its difficult to say but the few extent pieces were as such. You generally don’t find tanto like this in a leather cover that is clearly WWII military. The hanger for the cord is also of good quality, to add to it’s uniqueness. To...