Echizen Kanenori (fss-789)

Echizen Kanenori (fss-789)

Echizen Kanenori (fss-789) New Item Available Sold On Hold Special Sale This beautiful exquisitely made Tanto comes in a very nice polish. The hamon is extremely subtle with a Notare/gunome based in suguha temper. This blade was  made in the Echizen/shimosaka style from the shinto era. The hada is a masame mix with mokume and very finely done. The sword shows off the blades fine qualities in a very clear sashikomi polish. The blade is in HIRA-ZUKURI shape.  This stunning Echizen blade from the Shinto era comes in shirasaya with an ivory mekugi-ana ringlet and is in a fine Japanese polish. The work on this sword is very elegant and exciting at the same time. In the hamon you can see tsunagashi and kinsuji with a well defined habuchi with some ko-nie to frost the top and also in the valleys there is much Nie to be seen.. The hada is well forged and in great shape for such beauty of a blade with some masame running here and there entwined with itame and mokume. Ji-nie appears. The style is that of Hira-zukuri. A quality of hada called Echizen-gane which was indicative of this school can be found on this blade. The tang is signed: Echizen-no kuni-Shimosaka-Kanenori From the later Muromachi period onwards, Mino province saw a steady outflow of swordsmiths, a trend that saw its peak in the Momoyama and early Edo period. Reason was for the most part the then significant demand for swords and thus local daimyô began to recruit famous masters to work for them on their lands. Mino blades, or Seki blades in particular, were regarded as being durable and sharp and...
Shimada Sukemune (fss-781)

Shimada Sukemune (fss-781)

Shimada Sukemune (fss-781) New Item Available Sold On Hold Special Sale The Shimada school in Suruga was along the Ōigawa river. The founder YOSHISUKE was active in the age of Kousho, the middle of 15th century and the other makers such as SUKEMUNE , HIROSUKE ,YOSHITSUNA MOTOSUKE appeared during the Muromachi period. The Suruga domain in those days had powerful regional warlords of the Imagawa , Takeda , Tokugawa who struggled with each other. The sword smiths of the Shimada school often had made a symbolic sign of swords or yaris to meet with the requirements from those powerful warlords. SUKEMUNE , His family name Gojo and given name Kyuzaemon has been said to be a younger brother of the founder YOSHISUKE. It is believed that he moved from the province of Bizen to Shimada town in Suruga. This tanto is attributed as the work of SUKEMUNE most likely during Tenbun-Eisho era (1532-69) who is highly renowned for the creation of the Osoraku-zukuri tanto which was owed by Takeda Shingen . It is unique with an extraordinary shape to show the impression that they were strongly influenced by the Soshu works of 14th C. Nanbokucho period. There are carvings of a ken with vajra and Gamabashi and Buddhist implements showing the close resemblance to Soshu works. The Fish belly shape of the nakago was popular and frequently seen in Soshu works 、Suruga-Shimada 、Soshu-Tsunahiro and the Bushu-Shitahara schools all shared this feature at times showing that frequent cultural exchange became very active along Tōkaidō (region). There is an example of a collaboration Tanto work both by MURAMASA of the Sengo...