Soshu Masahiro (fss-763)

Soshu Masahiro (fss-763)

Soshu Masahiro (fss-763)   New Item   Available   Sold On Hold Special Sale We are pleased  to be able to offer an extremely rare Nambokucho era Soshu Masahiro. This blade is loaded with hataraki and horimono as can be seen in the pictures. One side has a carving of a Dragon wrapped around a ken with vajra or ” Shin no Kurikara “. The other side has a Bonji representing “Fudo Myoo ” with Gomabashi and Rendai or lotus blossums”. There is sunagashi, kinsuji and chikei. Ji-nie also abounds. There is a unique 3 dimensional quality to the steel as if looking through a pool of water at the hataraki, rarely seen and can be found on the best of Soshu blades. A great sword for the connoisseur of the early Soshu school just a couple of generations from Masamune. His influence can be greatly felt in this piece. This is a true Sunobi Tanto from the Nambokucho era, ubu with 3 holes. The sword is wide and beautiful to behold. A true Soshu masterpiece. It has Mitsumune and in an exquisite polish. This sword has very nice Nambokucho style horimono The koshirae is ensuite with a myriad of Dragonflies as the motif: “Dragonfly: According to legend, a passing soul can take the shape of a dragonfly, especially during Bon, the Buddhist Day of the Dead.” The Fuchi/Kashira are in soft metal with the eyes made of Radon or mother of pearl and appear to glow!. Truly spectacular. The kodzuka is of 2 dragonfly of different type and butterfly and very old. The kodzuka blade is hand forged with kanji. The tsuba is of Iron Sukashi style...
Yokoyama Sukesada (fss-760)

Yokoyama Sukesada (fss-760)

Yokoyama Sukesada (fss-760)   New Item   Available   Sold On Hold Special Sale A beautiful flawless blade in the tradition of Yokoyama Sukesada of the Shinto period. This blade is from the 1st generation of this smith from this era. This blade is by the Shinto Sukesada smith who singlehandedly saved this school from obliteration after the great flood of the Yoshii River in 1591 which wiped out almost the entire school. This smith is responsible for the founding of the Yokoyama branch which was especially made famous during the Shinshinto era. The Bizen tradition of sword craft reigned supreme as the longest and most successful line of smith in Japanese Sword history, spanning over 1200 years of sword manufacture, born with the smith Tomonari in the 10th century AD.  From Tomonari, the successive centuries saw the development of other schools working in the Bizen tradition such as, Ichimonji, Ko-osafune, Kozori, Osafune, Yoshii, Omiya, and the extensive Sukesada school, from which the school of this sword, Yokoyama,emerged. The quality of works ebbed and flowed with the tides of warfare, with quality yielding to demands of quantity during the dark times of the great civil wars that tore the country apart at the seams.  Two calamitous floods also scoured Osafune village twice within a relatively short period and one historic text says that the only smithing family to survive was the Yokoyama family.  It’s no coincidence then that with the transition into the Shinto period a few short years later, that the Yokoyama Sukesada line of smiths occupies a place in sword manufacture, keeping breath of life in their tradition after the...
Authentic Period Daisho (fss-759)

Authentic Period Daisho (fss-759)

Authentic Period Daisho (fss-759)   New Item   Available   Sold On Hold Special Sale A True Samurai Daisho, These swords, both Koto pieces (1500’s era) are mounted in a spectacular pair of original Edo period mounts with inlayed style lacquered saya accentuated with abalone throughout. The Motif is of a floral design framed within a textile like curtain and are in pristine condition. The flowers that are used are called Paulowinia, it is a flower pattern referred to in Japanese as Go-Shichi-No-Kiri and was used to represent the Prime minister of Japan in later times. The Menuki are of gold washed dragons and the Kozuka is of a scholar or monks traversing their way to a town in the distance, a very cool scene indeed and quite nice. The Tsuba are of iron with gold inlay of the Musashi plains grass with small winged insects at the bottom both with gold Mon to the maker. The Same or rayskin is of very high quality with a large pattern nodule exposed. The ito is a goldish brown and the sageo is mauvish and white with dragon motif. These sageo with dragon weaved in them are fragile and very old.  They are very unique. The Daisho habaki are both 2-piece with shakudo foil bases and the tops are of silver foil both original to the blades and matching. The Dai-to was attributed to Den Kanesada. A beautiful blade in  pristine polish and loaded with activity from the koto period an O-suriage piece. Within the Sugu-ha there is hotsure, sunagahi and kinsugi. The hada is a dense and beautiful swirling itame and mokume mix. The hada has some course areas that stand out as in...
Kai Mihara (fss-758)

Kai Mihara (fss-758)

Kai Mihara (fss-758)   New Item   Available   Sold On Hold Special Sale This is a beautiful example of a Kai Mihara blade. The blade is Shobu-zukiri in shape with gomabashi horimono. The Hada is a beautifully rendered itame loaded with ji-nie and well worked throughout masame can also be seen. The hamon is a gunome-midare and very bright.a stout looking blade with incredible workmanship. While Osafune smiths were thriving in Bizen Province, there were a few prominent smith of the Aoe school in Bitchu Province in this period. ‘Meikan’ lists the smith names of Ietsugu, Kagetsugu, Hidetsugu, Moritsugu, Kunitsugu and Munetsugu as well as some smiths who were active after the Oei and Eikyo Eras. There is a school called ‘Mihara’ in Bingo Province of which the smiths were active from previous period. The school includes a considerable number of smiths, but there are few distinguished smiths and their workmanship does not show peculiarity so much. Also there is a term of ‘Kai-Mihara’ which it is used for the smiths of the school who were active in the end of the Muromachi Period, for instance ‘Mihara Ju Kai Masazane’. They tempered chu-sugu-ha with few hataraki, occasionally o-midare based on gunome and forge whitish jigane. There are extant works of Masaoku, Masazane and Masanao. The blade is with koshirae. There are shishi menuki and matching fuchi/kashira. the habaki is silver foiled with a cloud design. The saya is a black lacquer finish with a rust colored sageo and brown tsuka-ito. the tsuba is of iron with a floral leaf pattern design. All in all a great piece to study and...
UNIQUE KOTO WAKAZASHI KANE SAKI MINO-DEN (fss-715)

UNIQUE KOTO WAKAZASHI KANE SAKI MINO-DEN (fss-715)

KANE SAKI UNIQUE KOTO WAKAZASHI MINO-DEN (fss-715)   New Item   Available   Sold On Hold Special Sale A beautiful wakazashi from the koto period attributed to Kanesaki of the tensho (1573-1592) period with unique workmanship of the mino den. This longish blade sports a picture perfect sugata with a longish kissaki. There is a horimono in the form of bohi which stops just above the yokote area. This Bohi finishes in the machi area and is rounded called maru-dome. Horimono such as this example are relatively rare in koto blades but accentuates the overall shape of this sword and adds to its period sugata. The tang is longish and ubu with one hole and finished as Ha agari kurijiri. The kissaki can almost be classified as O-kissaki, also there is small tempering at the boshi and is favoring notare-komi.The hada is a swirling patten of itame with Chikei and ji-nie can be found. The hamon is very unusual with a mountainess notare with gunome-midare, there are wisps of yubashiri forming into tobyaki in places running through the length of the blade above the hamon. These areas are cloud like floating above the hamon. The extreme health of this blade is something to be seen. This blade was mounted in shirasaya with a mekugi of ebony with a matching ebony wood habaki which shows the pride that the owner had in this sword. The unique characteristics along with the beautiful sugata of the blade papered to koto, Kanesaki mino den of the Tensho period. Mei: Mumei Date: Koto-tensho period (1573-1592) Nagasa: 21-1/2 inches Sori: 12.0 mm Width at the ha-machi: 33.4 mm Width at the yokote: 25.0 mm Thickness at the mune-machi: 8.1 mm Construction: Shinogi zukuri Mune: Iori Nakago: Ubu Kitae: Itame/mokume Hamon: Midare...