Kashu Katsukuni (fss-864)

Kashu Katsukuni (fss-864)

Kashu Katsukuni (fss-864) New Item Available Sold On Hold Special Sale Item description here: This sword has been fully restored and is in a fresh sashikomi polish.  The workmanship in this katana is excellent and the hamon is very active and beutiful.  The sword has no flaws and is in interesting mounts that are in a waves and crabs motif.  The tsukamaki silk is brown and the saya has stone texture.  The sword is not signed, however the NTHK attribution is to 1st Generation Katsukuni.   KATSUKUNI (勝国), 1st gen., Kanbun (寛文, 1661-1673), Kaga – “Kashū-jū Fujiwara Ieshige saku” (加州住藤原家重作), “Kashū-jū Iyo no Daijō Darani Tachibana Katsukuni” (加州住伊予大掾陀羅尼橘勝国), “Iyo no Daijō Tachibana Katsukuni saku” (伊予大橘勝国作), second son of the 1st gen. Ieshige (家重), real name Matsuto Zenzaburō (松戸善三郎), in Kanbun one (寛文, 1661), he received through the agency of his employer, the Maeda family (前田), from chancellor Yotsuji Yoshiie (四辻吉家) the honorary title Iyo no Daijō (伊予大掾), the clan name Fujiwara used by him so far was changed with this to Tachibana (橘) and the smith name to Katsukuni (勝国), with this he was the 1st gen. Darani Katsukuni but counted himself also as 17th gen. Rai Kuniyoshi (来国吉), he died in the twelfth year of Kanbun (寛文, 1672), itame mixed with masame and a Kanemoto-like sanbonsugi, the interpretations of Ieshige/Katsukuni are insofar different from that of Kanemoto as that they show nie in the valleys between the sanbonsugi elements, kata-sujikai yasurime, jō-saku Mei: Mumei Date: Edo (1600’s-1700’s) Nagasa: 25-1/2 inches Sori: 15.0 mm Width at the ha-machi: 31.5 mm Width at the yokote: 21.3 mm Thickness at the mune-machi: 6.5 mm Construction: Shinogi zukuri Mune: Iori Nakago: Ubu...
(Bizen) Sukesada (fss-863)

(Bizen) Sukesada (fss-863)

(Bizen) Sukesada (fss-863) New Item Available Sold On Hold Special Sale Item description here: This is a wonderful example of a Bizen school sword that is signed and dated.  This is a legitimately signature.  A signed and dated blade is very interesting for a collector. It reads Bishu Osafune Sukesada, the date is very difficult to make out.  This sword should be submitted to shinsa someday in the future to add to its overall value.  We feel it dates from the1500’s or a bit later from the look and patina of the nakago and the blade itself.  The hamon is a wide suguba with good hataraki/activity. The hada is mokume. The sword has bohi, that are well carved.  This is a very well balanced sword and should also be considered for a quality iaido sword because of the Bohi carvings. The sword has original koshirai and the fuchi/kashira is a married set. The menuki are dragons and the tsuba is iron tsukashi with inlayed brass.  The mounts have some wear from age as the handle wrapping is old silk and the koiguchi has  minor damage that restorable.  The overall look and feel of this sword and its mounts is of a serious samurai sword not meant to be flashy. The history of Bizen swords During the latter half of the Heian  period (794–1185) the Minamoto clan and the Taira clan emerged as the two major warrior clans, with the tachi sword rapidly becoming their weapon of choice. More and more swordsmiths producing various tachi sword styles began to appear in the province of Bizen, which is also the location for quality iron...
Ishidô Unju Korekazu (fss-850)

Ishidô Unju Korekazu (fss-850)

Ishidô Unju Korekazu (fss-850) New Item Available Sold On Hold Special Sale Ishido Korekazu was a nephew of Kato Chounsai Tsunatoshi, He was taught and learned from him and he succeeded the Ishido familyas the seventh generation, he passed away in 1894 at the age of 75.He made So-den bizen den style which is a combination of Bizen and Soshu den style.The First generation Korekazu was skilled in making Bizen den style with beautiful Utsuribut the7th generation Korekazu made swords in the Soshu style.This sword was made on a day in the second month Keiô three (1867), year of the hare.This sword is a combination of gunome/ choji midare within a notare blend hamon which is very rear bright and clear. The activity is amazuing and unusually clear with multitudes of hataraki such as sunagashi, kinsuji. Ko-nie and a wonderful frosting of nie can be seen on the habuchi. There are swirts of mokume as well as masame make up this eye catching hada.There is horimono on both sides odf the blade. A masterful carving of a cherry blossom tree as well as a poem in Buddhist calligraphy and Sanskrit bonji.The mounts keep in theme the advent of the cherry blossom. In Japan, cherry blossoms symbolize clouds due to their nature of blooming en masse, besides being an enduring metaphor for the ephemeral nature of life, an aspect of Japanese cultural tradition that is often associated with Buddhist influence,] and which is embodied in the concept mono no aware. The association of the cherry blossom with mono no aware dates back to 18th-century scholar Motoori Norinaga The transience of the...
Yamashiro Kunikiyo Daisho (849)

Yamashiro Kunikiyo Daisho (849)

Yamashiro Kunikiyo Daisho (849) New Item Available Sold On Hold Special Sale Yamashiro kami Fujiwara Kunikiyo is a son of Shimada Sukemune.born at Shinshu Matsumoto province.After that he studied under Horikawa Kunihiro.He changed his name to Kunikiyo and after Kanei 4th, he got the title of the Yamashiro Daijo.and after that he changed it to Yamashiro no Kami.After his great master Kunihiro passed away, he moved to Matsumoto Shinsyu province and from thereHe moved to Echizen province and followed Daimyo Matsudaira who was ordered to move Echizenby Tokugawa Shogun. This era is his most skilled years.He passed away Keian 2nd at 60 years of age..Kunikiyo is famous for his style of sugu-ha and hada akin to Hizen Tadahiro and can be mistaken for the best of Hizen Tadahiro work. The hada can appear to be veryb similar to honoku hada made dfamous by the Hizen school but with a Horikawa Kunihiro flare. This is an exceptional Daisho that high end collectors look for and cherish when found. Dr. Kanzan Sato, former director of the NBTHK (the sword museum ofJapan) writes in his book The Japanese Sword  that Yamashiro no Kami Kunikiyo was the most famous swordsmith in the Shinto (Edoperiod) that was granted permission to stamp the 16-petal kiku-mon imperial family chrysanthemum on the nakago of his swords. Kunikiyo first left his hometown of Suruga province to Kyoto and became a star student of grandmaster swordsmith Horikawa Kunihiro. He received the Horikawa kanji character for Kuni whereupon he became Kunikiyo. He left Kyoto in 1614 after his master’s death. Kunikiyo was retained by the powerful daimyo (lord) MatsudairaTadamasa and moved to Fukui to join him in 1624....
Enomoto Sadayoshi (fss-838)

Enomoto Sadayoshi (fss-838)

Enomoto Sadayoshi (fss-838) New Item Available Sold On Hold Special Sale This is an exquisite example of a sword made by Enamoto Sadayoshi in the style of Fukuoka Ichimonji. This beautiful sword shows an abundance of activity. This sword is in a very good state of polish, in a beautiful Horn inlaid Shirasaya and has papers authenticating the sword. The habaki is a foiled piece.. Biography and Lineage;1908–2000. Born 榎本吉市 Enomoto Yoshiichi in Tokushima prefecture. Moved to Mishima city in 1943. Licensed in 1966, “mukansa-taigu” in 1981 and NBTHK designated mukansa in 9/1996. Studied under Gassan Sadakatsu for ten years starting in 1928. Skilled in ayasugi-hada. Trained his two sons Enomoto Tatsuyoshi & Sadahito from a young age.May have used the name Yorikichi while working for the Rikugun Jumei Tosho.WorkmanshipSkilled in classic Gassan style (e.g. Ayasugi-hada) and Sōshu-den. Occasionally used a strongly contrasting hada. Mei: Saku’i Fukuoka-Ichimonji Mishima ni oite Yūsuishi Sadayoshi kinsaku – Kanoe-inu gogatsu kichijitsu Shōwa yonjūgonen Yamaguchi Gō no motome ni ōjite (作意福岡一文字於三島湧水子貞吉謹作・庚戌五月吉日 昭和二二十五年応山口豪需) – “Respectfully made by Yūsuishi Sadayoshi on a lucky day in May of 1970, year of the dog, in the Fukuoka-Ichimonji style in Mishima and on request of Yamaguchi Gō” Nagasa: 28-1/8 inches Sori: 18.0 mm Width at the ha-machi: 32.0 mm Width at the yokote: 23.5 mm Thickness at the mune-machi: 7.3 mm Construction: Shinogi zukuri Mune: Iori Nakago: Ubu Kitae: ko-Itame Hamon: Notare based with chōji-ashi Boshi: Maru Condition: Good polish Click to Enlarge Image Click to Enlarge Image Click to Enlarge Image This sword is on consignment. Special Sale Price Sold On Hold Asking price: $8,400.00   (shipping and insurance included) Email us if your interested in this item and remember to...